Buddy Red Bow is struggling, in the face of persecution, by greedy developers and political in-fighting, to keep his nation on a Montana Cheyenne Reservation financially solvent and independent. Philbert, a simple-minded friend of Buddy's, ardently pursues Native American/First Nation wisdom and lore wherever he can find it--even on Bonanza--in order to earn his warrior name. He's even got his war pony, Protector: a beat-up old wreck of a car. Buddy's sister has been arrested in Santa Fe, and together Buddy and Philbert set off on a road trip to look after her kids and go bail her out. However, Bonnie's arrest has something strange about it as her friend Rabbit points out. As the miles roll by, Philbert's faith challenges Buddy's hard-edged view of the world (and occasional bout of reckless violence), and together they face the realities and dreams of being Cheyenne in the modern-day US as they fight to free Bonnie and her children and elude the Feds.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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