Twenty years after their brilliant cinema-theater experiment Vanya on 42nd Street, Wallace Shawn and André Gregory reunited to produce another idiosyncratic film version of a classic play, this time Henrik Ibsen’s Bygmester Solness (Master Builder Solness). Brought pristinely to the screen by Jonathan Demme, this compellingly abstract reimagining features Shawn (who also wrote the adaptation) as a visionary but tyrannical middle-aged architect haunted by figures from his past, most acutely an attractive, vivacious young woman (the breathtaking newcomer Lisa Joyce) who has appeared on his doorstep. Also featuring standout supporting performances by Julie Hagerty, Larry Pine, and Gregory, A Master Builder, like Vanya, is the result of many years of rehearsals, a living, breathing, constantly shifting work that unites theater, film, and dream.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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