Between the international triumphs of La strada and Nights of Cabiria, Federico Fellini made this fascinatingly unique film, which has been long overlooked. Largely eschewing the poetic flourishes of the more famous works that bookend it, Il bidone is a dark neorealist crime drama starring a commanding Broderick Crawford as one of the most complex characters in the director’s canon: an aging con man who, having made a career preying on the desperation of poor peasants, suddenly finds that his crooked ways have begun to catch up with him. Masterfully entwining the story’s human grit with elements of humor and pathos, Fellini crafts a searing portrait of a man reckoning with the consequences of his life’s choices that hits with the force of a profound moral tragedy.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
Childhood friends Pietro and Bruno experience maturity, loss, and the rediscovery of an unbreakable connection when they reunite in adulthood to build a cabin on the rugged slopes of the Italian Alps.
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance.
Béla Tarr and Ágnes Hranitzky