Between the international triumphs of La strada and Nights of Cabiria, Federico Fellini made this fascinatingly unique film, which has been long overlooked. Largely eschewing the poetic flourishes of the more famous works that bookend it, Il bidone is a dark neorealist crime drama starring a commanding Broderick Crawford as one of the most complex characters in the director’s canon: an aging con man who, having made a career preying on the desperation of poor peasants, suddenly finds that his crooked ways have begun to catch up with him. Masterfully entwining the story’s human grit with elements of humor and pathos, Fellini crafts a searing portrait of a man reckoning with the consequences of his life’s choices that hits with the force of a profound moral tragedy.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
DCP, Blu-ray, DVD