In this endlessly diverting compendium of four short films, Pierre Etaix regards the 1960s from his askew but astute perspective. Each part is as technically impressive as it is riotous: a man attempts to read a novel about vampires beside his sleeping wife but cannot seem to separate reality from fiction; a simple afternoon at the movies becomes a consumer-culture assault; a jarringly noisy urban landscape keeps a city’s population on edge; and a day in the country means something different to a picnicking city couple, a hunter, and a farmer.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
Childhood friends Pietro and Bruno experience maturity, loss, and the rediscovery of an unbreakable connection when they reunite in adulthood to build a cabin on the rugged slopes of the Italian Alps.
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance.
Béla Tarr and Ágnes Hranitzky