Zatoichi encounters a dying man, who asks the itinerant masseur to deliver a bag of money to his young son; he agrees to fulfill the request, finding the boy in a village terrorized by criminals. This is the first entry to scrutinize the swordsman’s methods, as a blind monk confronts Zatoichi about his violent approach to problem solving and Zatoichi finds the child turning to the same bloodstained path.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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