Robert Downey Sr.
This riot of bad taste was a breakthrough for Downey, thanks to rave notices. Visualized largely in still 35 mm photographs, it follows a shiftless downtown Manhattanite having his “annual November breakdown” as he wanders from one odd job to the next, coming across all sorts of sordid types, from a desperate independent filmmaker to a destitute dirty-sock sniffer. And there is something to offend everyone: incest, murder, bad pop songs, you name it.
A 12-film retrospective of the director’s work featuring 4K restorations, rarely-screened shorts and documentaries.
A celebration of revolutionary filmmaking.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
After the French New Wave, the sexual revolution, and May ’68 came The Mother and the Whore, the legendary, autobiographical magnum opus by Jean Eustache that captured a disillusioned generation navigating the post-idealism 1970s within the microcosm of a ménage à trois.