Jacques Demy’s crystalline debut gave birth to the fictional universe in which so many of his characters would live, play, and love. It’s among his most profoundly felt films, a tale of crisscrossing lives in Nantes (Demy’s hometown) that floats on waves of longing and desire. Heading the film’s ensemble is the enchanting Anouk Aimée as the title character, a cabaret chanteuse who’s awaiting the return of a long-lost lover and unwilling to entertain the adoration of another love-struck soul, the wanderer Roland (Marc Michel). Humane, wistful, and witty, Lola is a testament to the resilience of the heartbroken.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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