Carl Th. Dreyer
Before he turned to the story of Joan of Arc, the Danish cinema genius Carl Theodor Dreyer fashioned this ahead-of-its-time examination of domestic life. A deft comedy of gentle revenge, it is the story of a housewife who, with the help of a wily nanny, turns the tables on her tyrannical husband. In it, Dreyer combines lightness and humor with his customary meticulous craft and sense of integrity. Master of the House, an enormous box-office success in its day, is a jewel of the silent cinema.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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