Living in Mexico with a top-ten hit under their belts, the Leningrad Cowboys have fallen on hard times. When they head north to rejoin their manager (Kaurismäki mainstay Matti Pellonpää) for a gig in Coney Island, he has turned into a self-proclaimed prophet who wishes to lead them back to the promised land of Siberia. Like its predecessor, Leningrad Cowboys Go America, Leningrad Cowboys Meet Moses is a road movie, the humorous hardships this time coming from the rocky terrain of the new Europe.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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