A struggling Siberian rock band leaves the lonely tundra to tour the United States because, as they’re told, “they’ll buy anything there.” Aki Kaurismäki’s winningly aloof farce follows the musicians as they bravely make their way across the New World, carrying a bandmate (and some beer) in a coffin and sporting hairdos that resemble unicorn horns. Leningrad Cowboys Go America was such a sensation that it brought the fictional band a major real-life following.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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