After an airplane is forced to crash-land in a remote area, its passengers find themselves face-to-face with an alien force that wants to possess them body and soul—and perhaps take over the entire human race. Filled with creatively repulsive effects—including a very invasive bloblike life-form—Hajime Sato’s Goke, Body Snatcher from Hell is a pulpy, apocalyptic gross-out.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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