Both a romantic-triangle tale and a philosophical take on violence in times of revolution, The Home and the World, set in early twentieth-century Bengal, concerns an aristocratic but progressive man who, in insisting on broadening his more traditional wife’s political horizons, drives her into the arms of his radical school chum. Satyajit Ray had wanted to adapt Rabindranath Tagore’s classic novel to the screen for decades. When he finally did in 1984, he fashioned a personal, exquisite film that stands as a testament to his lifelong love for the great writer.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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