François Truffaut followed up the international phenomenon Jules and Jim with this tense tale of infidelity. The unassuming Jean Desailly is perfectly cast as a celebrated literary scholar, seemingly happily married, who embarks on an affair with a gorgeous stewardess, played by Françoise Dorléac, who is captivated by his charm and reputation. As their romance gets serious, the film grows anxious, leading to a wallop of a conclusion. Truffaut made The Soft Skin at a time when he was immersing himself in the work of Alfred Hitchcock, and that master’s influence can be felt throughout this complex, insightful, and underseen French New Wave treasure.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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