With an arresting mix of eroticism and horror, Oshima plunges the viewer into a nightmarish tale of guilt and retribution in Empire of Passion (Ai no borei). Set in a Japanese village at the end of the nineteenth century, the film details the emotional and physical downfall of a married woman and her younger lover following their decision to murder her husband and dump his body in a well. Empire of Passion was Oshima’s only true kaidan (Japanese ghost story), and the film, a savage, unrelenting experience, earned him the best director award at the Cannes Film Festival.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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