Hiroshi Shimizu’s endearing road movie follows the long and winding route of a sweet-natured bus driver—nicknamed Mr. Thank You for his constant exclamation to pedestrians who kindly step out of his way—traveling from rural Izu to Tokyo. Romance and comedy occur, and tragedy threatens his passengers, a virtual microcosm of depression-era Japan.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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