Marcello Mastroianni, as a lonely city transplant, and Maria Schell, as a sheltered girl haunted by a lover’s promise, meet by chance on a canal bridge and begin a tentative romance that quickly entangles them in a web of longing and self-delusion. Luchino Visconti’s Le notti bianche, an exquisite adaptation of Dostoyevsky’s “White Nights,” translates this romantic, shattering tale of two restless souls into a ravishing black-and-white dream.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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