Seeking out new avenues for his artistry, Paul Robeson moved his family to London in 1928. During the next twelve years, he headlined six British films, pioneering uncharted territory for black actors and reaching a level of prominence unthinkable in Hollywood. Robeson's first British production, Zoltán Korda's Sanders of the River, however, ended up being an embarrassment for the actor, its story of an African tribal leader transformed into a celebration of the British Empire.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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